14 December, 2015

Digital Fabric Design: Cheater Art Quilt

2015-10-22T17:51:46-05:00|0 Comments

Another opportunity to go beyond The Spoonflower Handbook by creating an art quilt with digitally printed fabric. In the first class we will create a small art collage from textured and patterned paper; a hands-on way to add depth and complexity to your design with minimal computer skills needed. The second night we will scan to transform that art into a digital format and enlarge it to fit on a yard of fabric. Finish with some simple “photoshopping” to add details or adjust colors and get tips for creating coordinating prints to accompany your design. Your finished design can be printed to make a quilt or wall hanging, finishing/sewing to be completed on your own time. Materials fee $7, payable to the instructor. See supply list at registration for more details on technology and materials.

This class is 2 sessions: December 7 & 14

9 September, 2015

Tutorial: Seamless Arrows Pattern, Part Four

2016-03-16T10:04:02-05:00Spoonflower & Fabric Design, Tutorials|Comments Off on Tutorial: Seamless Arrows Pattern, Part Four

(This is part four of a tutorial for making a seamless arrow pattern.  Find Part One and Part Two and Part Three here.)

Proofing and touching up the pattern is the finishing step to create the seamless arrow design and I am going to do that with the Photoshop pattern tool.  The first thing I do is select the whole design (Edit -> Select All) and create a pattern tile by choosing Edit -> Define Pattern and click OK.

Screen Shot 2015-09-09 at 10.46.34 AMIt will look like nothing has happened.  That’s ok!  The tile that you selected has been saved in the patterns palette, which is kind of hidden.

To proof the design, I create a new blank file that is the size of a yard of fabric. That’s an arbitrary size – I just think it’s nice to look at a large number of repeats.

Screen Shot 2015-09-09 at 10.46.58 AM

Then I choose Edit -> Fill from the menu.  From the pop-up Fill menu, choose Pattern from the contents drop down menu.  Just below that in Options there is another drop down and in […]

1 September, 2015

Tutorial: Seamless Arrow Repeat Part 3

2016-03-16T10:03:14-05:00Spoonflower & Fabric Design, Tutorials|Comments Off on Tutorial: Seamless Arrow Repeat Part 3

(This is part three of a tutorial for making a seamless arrow pattern.  Find Part One and Part Two here.)

For Part Three, I am going to move over and work with the design in Photoshop now.  Why?  I could easily add color in Illustrator, but the effect I want is to cut those arrowheads out of another photo, which will give it a very organic color wash instead of a solid color.

Open the file in Photoshop.

So first I open that file we just saved in Photoshop. I first double click the Layer marked Background to unlock it (making it Layer 0).  Then I use the Magic Wand tool and delete to remove the white background and just leave the pattern of black lines.  (Make sure the option marked contiguous at the top center is clicked off and you will select all of the white in the image and not just the parts touching where you click.)

Screen Shot 2015-08-27 at 10.11.41 AM

Screen Shot 2015-08-27 at 10.15.30 AM

That will leave a checkerboard pattern in the background.  That is Photoshop’s way of […]

31 August, 2015

Tutorial: Seamless Arrows Print – Part Two

2016-03-16T10:02:27-05:00Spoonflower & Fabric Design, Tutorials|Comments Off on Tutorial: Seamless Arrows Print – Part Two

(This is Part Two of a tutorial for creating a seamless arrows print.  See Part 1 here.)

Screen Shot 2015-08-27 at 10.06.48 AM

Part two of the tutorial is all about making the design seamless.  What does that mean?  I want these arrows to look like they are traveling all over the fabric without having a a start and stop.  Even though I only made a small section of the design, I want it to look like I designed something bigger and disguise the edges of the repeating element.

Check and adjust your lines.

With this design, one way to make it look seamless is to make sure that any line that extends off the edge of the drawing, joins up with the design again.  In orange I circled two lines, which go off the edge at the top of the repeat, and then show up again at the bottom.  When I make this tile repeat and put two identical tiles next to each other, those lines will match up and look like they are one continuous line.  I should also say, you don’t have to always work in a repeat, in fact I […]

26 August, 2015

Jerome Grant Projects: Duet #2

2015-08-26T16:41:27-05:00An Artist's Life, Everything Else, Gallery Exhibitions|Comments Off on Jerome Grant Projects: Duet #2

My second project for my Jerome Grant is all about the story.  My partner Dawn and I have been friends since the 7th grade.  Dawn is now a professor, teaching art at a community college.  She isn’t a digital or fabric person at all; she gravitates towards printmaking and book arts.  I thought it would be fun to go “offline” with Dawn and write a series of postcards to one another.  I bought several packages of blank cards and a bunch of stamps and we mailed our conversation back and forth with one side of the card for words and one side for a sketch of something. She block printed, I water colored with tea and we talked about art.  Why do I hate working with the color red?  Do you have a “go to” doodle that you always draw when you don’t know what to draw?

Dawn really inspired me to do something hands on and get away from the computer a little bit.  So I started a series of designs based on cut paper collages made from found paper and junk mail.  I now have about 6 designs based on that idea and I am really loving […]

25 September, 2014

Digital Design Tutorial: Faux Batik Part Two

2016-03-16T09:45:41-05:00Everything Else|Comments Off on Digital Design Tutorial: Faux Batik Part Two

This is the second post in a series: a digital fabric design tutorial making a faux batik print.  Yesterday I painted some batik-inspired designs on paper and today I am going to show how to scan and clean up the designs.
Screen Shot 2014-09-24 at 4.55.55 PM

Part Two:  Scanning and preparing your paintings

This (above) is the program I use with my scanner.  It’s called Image Capture and is built in to the Mac.  You can use whatever scanner software you have – they are really pretty much the same.  I scanned each page of my paintings.  I chose to scan them as black and white at 200 dpi.  (This scanner software has a drop down menu with defaults set, so I couldn’t scan to 150 dpi exactly as I mentioned in the previous post.)  I scanned the whole page and then saved it.

Next I opened up the scanned painting in Photoshop to do a little touchup.  I am going to adjust the Levels in my design, which basically makes the blacks blacker and the whites whiter.  It will help smooth out anywhere where the paint was uneven or lighter and get rid […]