29 July, 2013

Creating Focus

2013-07-29T17:44:43-05:00Sewing & Design, Spoonflower & Fabric Design|4 Comments

BeckaMagritteSM

Textile Center is giving me an award called the “Spun Gold”, which is a kind of a lifetime achievement award for contributions to the fiber art community and to the field.  It is a an amazing honor and so very cool to be recognized and I feel more than a little weird about getting a lifetime achievement award when I haven’t yet reached 40, but I digress. What I really want to talk about is the photo.  I designed this for the invitation for the award presentation.  They wanted a photo of my work and I wanted something with a little personality.  This photo itself is a piece of art.

First, the skirt is called “Strut” and it is digitally printed linen-cotton (printed by my dear friends at Spoonflower) and trimmed with vintage velvet ribbon and hand-stitched sequins.  You only see a tiny bit of the ribbon in this shot, there are more stripes down the back.  The pattern is just a classic pencil skirt.  The peacock is a detail of a bobbin lace fan that is in the collection at the V&A museum in London.  We photographed it when we were there a few years ago and I played with it in Photoshop and made this skirt.  Here’s what the fan looks like.  It is breathtaking in person.  That little peacock is about 2 inches high.

fan

Here’s also a detail of the skirt and the sequins.

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I wanted to keep the focus of this photo on the skirt so that your eye was drawn right to that and not to my face because I wanted the “message” to be about my work and not about whatever dorky expression was on my face.  I have no aspirations to be a model.   So I started thinking about a way to make that change of focus happen.  The obvious solution was to just crop my face out of the photo, which would certainly work but it seemed a little too obvious.   But then I thought of this painting:  The Son of Man by Rene Magritte.

Son of Man by Rene Magritte, courtesy of Wikipedia

You might recognize it as it has been featured in a bunch of movies and the like.  It is supposed to be a self portrait of Magritte and he is said to have said the following about it (and a series of similar works that he did.)

 It’s something that happens constantly. Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.

I like this idea, that the “visible that is hidden” makes you fill in the blank about what you know about me and there is a little story going on in your mind.  You will notice I have an apple in my portrait too.

My husband and very best and most favorite collaborator actually took the photo; I just “art directed”.  The desk is a piece of plexiglass propped between two sawhorses.  The computer is suspended from a steel cable (photoshopped out) because it bent the plexi too much and we wanted that high tech looking desk illusion.  The glow around the computer was from a really big light behind me and I am standing on a big sheet of white paper which I tip-toed over to on a towel so I wouldn’t leave dirty footprints that we would have to Photoshop out.  The computer was the actual machine that sat on my desk at work for many years until the fan died and it wheezed its last breath.  But it is cool and I have kept it as a photo prop (although we gutted it so it was lighter).  We would snap a few shots, he would show them to me on the screen on the back of the camera and I would step a 1/2 inch this way or that and move my shoulders up or down until we got it just right.

 

 

17 July, 2013

Things that never get blogged: Sewing is hard

2013-07-17T23:25:04-05:00Sewing & Design|4 Comments

There’s been discussion recently in the craft blog community about the “beautiful studio” phenomenon, where everyone shows pictures of gorgeous inspiring spaces that they work in, when we all know that it is a pile 12 inches deep on the floor and an empty coffee cup (or three) on the desk in our own spaces.  I feel like sewing blogs are a little bit the same way.  Beautiful dress after gorgeous skirt show up in the photos and it makes sewing something wonderful seem easy.  So this is another blog post inspired by a conversation today, where a friend and I agreed sewing is hard.  Even if you are good at it.  And sometimes the hard outweighs the cool factor.  Every project has a challenge and not every one works out.

So, I would like to introduce you to my pile of shame.

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This is a skirt without a hem.  It’s made from some really soft clearance aisle stretch something-or-another.  It’s a pencil skirt with these pleats along the back hem.  Its issue is that when I tried it on that stretch something-or-another stretches and creates some bulges that I am pretty sure are really not particularly flattering.  It hugs where it should hang and the pleats are just slightly off (grumble).  I got less inspired to finish hemming it when I looked at it on me and had a big case of “meh”.  It should be cute and it is really just mediocre.

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This one seemed like a great idea, but it just has too much going on.  The fabrics look great together, but when you put it on, it’s LOUD.  And it’s an indie dress pattern, which I try to love, but this one has some peculiar construction and it took a lot of re-thinking to do things in a way that I found acceptable.  Not up to snuff.  It looks a little “homemade” and not in a good way.

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The neck facing and hem are all that’s left here and I have an inkling that it is just a hair too big.  This was an experiment.  I ordered a pattern from Lekala.com and they created this one to match my measurements and sent me a pdf that I printed and taped together.  Either they add just a bit more ease than I like or I had some issues with connecting the 36 sheets of paper that this printed on which introduced some extra room.  Either way, it is totally alterable, but I just don’t want to.  That’s fiddly and the not fun part.  And I don’t like how the bias tape facing turned out on the arm holes.  I cut my own bias tape and it was not my best work.  I really should rip that out and fix it too.  I will probably fix this one, but I am procrastinating.

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This one is super cute and I love everything about it.  But I bound the neckline and arms with yellow bias tape and I ran out before I got to the hem.  Need to make a trip to the store and remember it.  That is harder than it sounds.

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This one just makes me sad.  I am desperately in love with this fabric and the design of this dress (the classic slim wiggle dress) but it absolutely does not fit.  I don’t often make a muslin, because seriously, who has time for that? And I am lucky because usually patterns from Simplicity and Butterick just fit me with only minor alterations.  I always have to shorten the bodice on dresses by about 1/2-1 inch and shorten the hem, but most everything else is pretty dang close.  And that’s how I know that I can usually get away with no muslin.  (I know, you can hate me now.)  This dress however, has seriously 4 extra inches of fabric in the back between my shoulder blades to the top of the zipper.  I don’t know what happened but it is ridiculous how much this does not fit.  And the really annoying thing is that I lined it because I knew I would love this dress, so there is a LOT to pick apart to figure out how to remove the extra fabric.  I hand picked the zipper; I matched the patterns.  Sigh.

These are all problems that I might have figured out earlier in the process, but you know that just doesn’t always happen no matter how good we are.  Can I fix all of these issues?  Probably.  But at this point, do I want to?  Was this one just all about the process? Maybe this was a “teachable moment” and I have learned everything I need to learn from this project and it is time to say adios? (I am looking at you stretchy skirt.)   I think these need a little while longer in time out to think about their issues.

25 February, 2013

Red Riding Hood

2013-02-25T22:35:22-06:00Sewing & Design|2 Comments

Another one of those projects that I have had to keep under my hat for a little while.  My friend Jen is expecting a baby and we had a shower for her this past weekend.  Another friend and I who consider ourselves her honorary big sisters decided to be cheesy and make a whole coordinating theme.  I made these two:

Red Riding Hood and the Big Bad Wolf

Red Riding Hood and the Big Bad Wolf

And my co-conspirator made a sweet wrap shirt and corduroy pants with a reversible hooded cape – one side red and one side with wolf ears for Baby.  We shared fabric, so the pants have a cuff that matches Wolfie’s bow tie and the shirt is the same as Red’s cape lining and of course, the wolf cape matches the wolf.

I can’t take credit for the pattern on these.  It comes from this Etsy shop:  DollsandDaydreams.  Seriously stinking cute.  I modified a few tiny things and shrunk them down about 25% because I wanted them to be a bit more baby size.  I kind of love making doll clothes, so I think a few little girls in my life might be getting some like this.

2 January, 2013

Happy New Year

2013-01-02T19:10:11-06:00Sewing & Design, Spoonflower & Fabric Design|3 Comments

Hello there blog.  It’s been a while.  I have been reading all kinds of inspirational posts on all of the blogs I follow all about the year in review and all of the things everyone talked about and most popular posts and all of the goals for all of the things that they want to do.  I saw one whole post that was 12 different projects for the holidays that were all carefully color coordinated with tutorials and downloads and printables.  And while I actually enjoy reading it from everyone else, it just makes me wonder how some people have time to do that kind reminiscing and collecting of old posts and analyzing.  I would much rather spend my Christmas break cooking and reading and spending some time with my darling husband and elderly hound who I haven’t seen enough of this fall.

So none of that here.  I am sorry that I haven’t been posting much.  Not so much sorry for you, although I enormously appreciate all of you that read and lurk and comment, but really for myself.  This blog over the years has become a journal (hence the name) of all of my projects and I look back and reference things here all the time.  I love the idea of keeping a beautiful journal but the reality is, I am not a journal kind of girl.  But this blog works for me and I love it.  The last few months have been a challenge.  It’s been nothing earth shattering.  The people I love are safe and well.  I am safe and well, but I have been creatively and professionally challenged in ways that have squeezed a lot of what I am willing or able to share here in to a trickle.  It’s been stressful in good and bad ways and it has made me re-prioritize some things and totally drop the ball on a few things (which makes me crazy) and just plain let some things go.

But, I think we are heading towards the end of the drought and in that spirit, I have some Christmas presents that I am really proud of to share with you.  The handmade gifts were very carefully planned this year and although they didn’t arrive quite on time, they turned out beautifully and I am happy with them (and I believe the recipients were too.)

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Mom got a handwoven camera strap (or maybe it is for binoculars).  She is a major birdwatcher and wildlife photographer, so she will use this, I think.  It is a pick up pattern on an inkle loom, made with 5/2 perle cotton, a few scraps of ultra suede, and some webbing/buckles I found on Etsy.  A pick up pattern is similar to brocade fabric, you choose threads out of the pattern and pick them up to float on top of the regular weave.  That is what is making the zig-zag/diamond pattern you can see.

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Next, my youngest niece and nephew (ages 2 and 4) got a “Map to Uncle Andy & Auntie Becky’s House”.  I took a google map of our neighborhood, traced/simplified it in Illustrator and printed a fabric “map” of our neighborhood. (Thank you Spoonflower!)  I didn’t think it was too smart to post a map to my house for the whole internet to see, so you get a section of it so you get the idea.  We added all of the best parts of our neighborhood, like the pool down the street and the very important location of the coffee shop and the pizza place.  I filled in between the streets with photos of textures – grass, gravel, sand.  I found the little tiny cars and was really thrilled to get a set with a police car, fire truck, garbage truck and parking enforcement.  Then finally three big dice with different locations on each face so you can roll the dice and drive to each location, making a very simple game for them to play.  Mommy has to read the words right now, but I think after not too long they will start to recognize the words on their own.  This niece and nephew live out in very rural farm country and so the city is a pretty fun thing to play pretend about.

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My youngest sister got the (hopefully) ultra cool accessory of the season.  A giant cowl made from baby alpaca with a tiny bit of sparkle.  This thing is seriously decadent.  Seed stitch with a half twist before I seamed it up, so it has a little mobius shape happening.

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Mom got the poker chip silk scarf.  I hosted a “dye day” just before Christmas for my new co-workers to make gifts for their family members and I did this one and knew that my mom had to have it.  It is a technique called itajime shibori and is folded and then clamped with poker chips (top and bottom of the folded scarf) held in place with clothespins.  Then you add the dye and the poker chips mostly keep the dye out and leave polkadots.  (You can get fancier tighter clamps and make the resist shapes very distinct, but I like this more organic look better.)

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Finally, it was the year of the bat for my dad.  He is an architect and one of his projects this year involved some renovation on some historic buildings.  Historic buildings that happen to be home to an endangered species of bat.  (Which means you have to remove the bats before you can renovate and you just can’t even imagine what that involves.)  So the bat jokes and puns have been a thing this year.  I found a great collection of other batty items for him on Etsy (which I will show off tomorrow), but this ornament was my contribution.  A snoozing bat for the Christmas tree.  (He’s about 3 inches long.)

Hoping you all had a creative and peaceful holiday with your loved ones.  Cheers to the new year!

28 November, 2012

Lichen

2012-11-28T19:09:46-06:00Embroidery, Spoonflower & Fabric Design|6 Comments

Lichen 1

October 2012, 8 x 8 inches

Digitally printed cotton, hand embroidery

I created this piece for the annual art auction at the art center in my hometown.  I donate a piece to their annual fundraiser every year.  There are not many fiber artists in the area that participate (many painters & photographers) so I am very proud to represent fiber art.  This started with a photo Andy or I took in Wyoming this summer when we were there for a wedding.  This beautiful stone was covered in many shades and shapes of lichens.  I printed it on sateen fabric, which really lets the details show up very sharply.  I then stitched my own clusters of lichens with about 6 shades of green threads and the chinese knot stitch to add some dimension.  I love this one and so I titled it “Lichen 1”, with the anticipation that I will do a few more from the other parts of the photo.

13 October, 2012

Coils Dress

2012-10-13T12:32:00-05:00Gallery Exhibitions, Sewing & Design, Spoonflower & Fabric Design|5 Comments

Our annual gallery fundraiser at work was last night.   I don’t have a lot of time to make very elaborate pieces of art, so this is my goal each year, to make a dress to wear to this event.  This is based on a vintage-inspired pattern, with some tweaks.  The fabric is digitally printed silk/cotton from my friends at Spoonflower.  The same scribbly circles from the skirt show up smaller scale on the top although as a very subtle color variation (you can’t really see it in the photo) and the fabric has a lovely silvery sheen with the green.

The image I based the fabric design on is a photo of a pile of video cables.  I love the juxtaposition of 1940’s inspired dress with digitally printed video cable design.  My friend Jay does something high-tech with keeping TV stations running and sent me a couple dozen photos from his last trade show gig that were pictures of coils and tangles and piles of bright colored video cables.  I love that I have friends who don’t think I am crazy when I send messages like “OMG, I need that photo to make a dress, can I use it please!?”  Ok, he might have thought I was crazy, but he sent me that photo and 15 more.

I had a lot of fun walking around last night and talking about the dress and the design.  Two of the people from our local printing company (who do the newsletters and things for the center) wanted to know all about the printers and how many colors they use.  Because I work at a place where I am surrounded by some amazing artists, at least one person commented on the hand-picked zipper (where else would that happen to you?) and everyone needed to touch the fabric.  On Tuesday I will show it off to a highschool class we are doing a residency with.  They are coming to dye some fabric with me to accompany their own Spoonflower printed designs.

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