These are fabrics designed by students in my workshops at the Museum of Russian Art this week. I added a few detail photos from the work in the exhibition so you can see some of the shapes and colors that were our inspiration. I’ll be making an installation of origami dresses from these designs to display at TMORA along with with the exhibition so that people can see modern fabric interpretations of traditional designs. The students in my classes at TMORA were so much fun and I can’t wait to see all of these fabrics in person.
Spoonflower recently rolled out some cool new changes to their website and the ways you can look at designs. Instead of only seeing a swatch or a fat quarter, you can now see your designs mocked up as sheets, curtains, pillows, tablecloths and more. And it’s now built in to the site; you just have to know where to click. I made this mini video tutorial (10 min) to show you two ways you can look at these new mockups, both as a shopper and as a designer. I think they are both great ways to help you visualize the scale and impact of your designs. If you don’t see the video thumbnail here, click Read More > below.
Want to learn more about designing fabrics for Spoonflower? Try out my online intro class! It’s free and will walk you through a design from idea to upload.
This design challenge theme was the cause of a big discussion among my family about what “rockabilly” really was and how you could represent it. Spoonflower’s design spec said “Originally from the 1950s, the iconic genre has a strong following that has withstood the test of time. As you create your entry this week, channel the rockabilly style with themes centered around vintage tattoos, pin-up girls, polka dots and even skulls.” My parents (who remember the original rockabilly trend) said they thought of it more as Elvis and ice cream sodas. We had a good time going through the contest entries and seeing how everyone interpreted the design. (Lots of cherries. Lots of skulls.)
My dad is a collector of vintage guitars, so I decided that rockabilly era guitars were my inspiration. I modeled mine after a Gretsch guitar from the 50s. I started drawing them in shades of grey just to work out the design and get the repeat set, intended to add some color. But the more I looked at the shades of grey, the more I liked it. One of the motifs that popped up when I googled “rockabilly style” was dice, which I didn’t really love, so went with card suits, which I felt like had the same vibe and I loved the tiny pops of red that it added to the design. This was all vector Illustrations in Adobe Illustrator.
The 33 you see on the swatch of the design above is the place I finished in the design contest. 33 of 325, which is my third highest finish ever in a contest (I have ranked #11 and #22.) THANK YOU if you voted […]
The design challenge theme this week was “Moon Landing”, celebrating the 50th anniversary of Neil Armstrong and Buzz Aldrin landing on the moon. It was a partnership with Princess Awesome, a company that designs science and technology themed clothes for girls. Many designers went with “girls in space” interpretations of the theme, but I wanted to celebrate the event itself.
I did some photo gathering online and looked at the way I would have experienced the moon landing: watching it on TV. I found lots of pictures of people gathered around television sets. I drew a collection of slightly wonky retro televisions from elements I saw in the photos and made illustrations of some of the iconic images from the broadcast with astronauts on the bright surface and deep shadows. On a few tv screens I put the captions that were on the broadcast. (This photo is from a friend of my mom’s who took a photo of his tv screen while he was watching.)
I wanted my televisions to be black-and-white, so I added a vibrant blue background to the design and then some transparent pops of color on top.
It was fun to work on and especially fun to do the photo research. You can see more moon landing designs at the contest page.
Welcome to my first Office Hours video. I am starting a series of quick video lessons about fun things you can try while designing fabrics. Many of the topics are going to based on questions that I have gotten from students, friends and fans. So if you have something you’d love to know – just ask!
This first video isn’t quite perfect, as is always the case with technology, right?! FB dropped the video after a couple of minutes, so I started up again and have stitched those two videos together. Even though it didn’t show it to me on the screens I was watching, it also squished the ipad screen a couple of times. I decided that it wasn’t ideal, but you could still definitely follow what was happening. Hoping to fix that for the next time.
Animal prints are not my cup of tea, but I get why they are appealing; I do love bold graphic patterns. Instead of going with a leopard or zebra print for my design challenge entry, I wanted to pick something that was a little less obvious. So I decided to go with ducks. Female mallards are pretty well camouflaged with their brown feathers, except for the bright blue, black and white bars on their wings. You almost don’t see them at all when they are sitting quietly, but as soon as they take off there is a flash of that blue. (Thanks to my mom for the mallard photo above.)
I drew a vector illustration for this design, layering the feathers so I could make a repeating pattern. I felt like the design was a little flat. I often feel this way about vector designs, I often feel like they need a little more texture. So I layered it first with a watercolor pattern to give it some light/dark/grunge. Then I added a chevron stripe to mimic the “grain” of feathers.
The overall pattern makes a stripe which I think would be fun for couch pillows or tote bags.
You can check out more animal prints at the design challenge page.