Category Archives: Gallery Exhibitions

Sunday & Seurat: Gone to the dogs

This is part of a series of “behind the scenes” posts about my Sunday & Seurat designs for the Guthrie. Click here to see all of the posts in this series.


If you look closely at the Sunday on the Isle painting, you will find a black dog whuffling in the grass. Those of you that know me know that I have a fondness for black dogs.

This is Chester and Leo. They are my black lab mutts. Brothers from the same litter. 3 yrs old.

So, I had to use the black dog as the inspiration for a design. When we were talking about what kinds of pieces we wanted for this collection, I felt like there should be something that wasn’t necessarily a kids item, but something that would appeal to kids. And there are a lot of people who love dogs. So this one seemed like it would be pretty popular. (Turns out we were right, but more about that in a minute.)

I made two versions of the dog from cut paper and I added a little colored pencil shading to them. I scanned the cut paper designs and layered together with a painted background that was just a swirl of different colors. And I added the paintbrush from the Red Yellow Blue design as if the dog is holding up his paw to be painted.

That turned in to this, which I call Brush to Paw. I printed it on eco-canvas. The hidden “easter egg” in this print is that the dogs have a different colored collar on each side of the bag, which match my dogs (red for Chester and turquoise for Leo).

And when you sew it together, it makes a little bag that looks like this. I use these as travel bags and keep my phone charger, jewelry, bandaids and those kinds of odds & ends.

 

We quickly realized that this little guy was going to be a hit, so we added a piece to the collection and I gave him a place on a tea towel as well. I just got this fabric yesterday and I am going to spend the rest of the afternoon hemming and making some linen/cotton tea towels which should be in the Guthrie shop very soon.

It always catches me off-guard but one question I get asked all the time is “Who does your sewing? Or where do you get them made?” The answer is: Me at my dining room table.

That part is just as important to me as the design is. I have no interest in designing things to send off and have mass produced overseas.

The fabric for all of these is printed by my friends at Spoonflower in Durham NC. They are friends and I have been to Spoonflower HQ and have seen my fabric coming off of their printers. I can’t own the kinds of machines that they have (They cost more than my first house did.) so I am thrilled I am able to work with them to make my designs happen.

Part of the cost of making these is paying myself a fair wage for the time spent sewing them. I work hard to make that part as efficient as I can because I don’t want to spend 24 hours a day sewing, but I can be confident that they are the quality that I want and that the person sewing them isn’t working in a sweatshop. This week I have been drinking tea and watching the Great British Baking Show as I sew. I can’t complain about my job this week.

Sunday & Seurat: A Collaboration

I am so excited to finally be able to talk about my collaboration with the Guthrie Theater Store. In February, I was approached by the manager of the gift shop for the Guthrie Theater. Their summer musical was Sunday in the Park with George and she wondered if I would like to work with them to make some exclusive pieces for the shop that were inspired by the show.

Sunday in the Park with George is loosely based on the life of Georges Seurat and his painting Sunday on the Isle of la Grande Jatte. I first saw the show about 15 years ago and soon after that we visited the Art Institute in Chicago and were able to see the painting. It was the first time that I can remember seeing a painting and literally gasping. I came around a corner and there it was. Part of the beautiful visual story of the show is that the actors recreate the painting on stage and the characters move in and out of that scene.

Image courtesy of Art Institute of Chicago

The show is a love note to artists. Seurat struggles with getting the image that he sees in his head on to the page and the struggle filling up the blank canvas. He is famous for the pointillist style, where the image is made up of dots of colors that your eye blends together. When I thought about what to design, I thought of the song “Color and Light” from the show, where Georges repeats the names of colors in a rhythmic pattern like his dots on the page. So that was one of the first designs I created.

Red Yellow Blue

Making the design Red Yellow Blue

I started many of the designs in this collection from paper. The grid (representing a paint palette) and the paint brush are both illustrations made from cut paper; the paint splatters were watercolor. The paintbrush was shaded with colored pencils to add some texture. I scanned all of those pieces so that I could manipulate them digitally but preserve the texture and hand-cut or hand-painted quality of them.

There is a filter in Photoshop called “pointillism”, which seemed like a logical choice to make the design look Seurat-like, but it didn’t give me the effect I wanted at all. So I read a little more about Seurat’s painting and that gave me some ideas.

The artist worked on the painting in several campaigns, beginning in 1884 with a layer of small horizontal brushstrokes of complementary colors. He later added small dots, also in complementary colors, that appear as solid and luminous forms when seen from a distance.

I built up my design the same way with transparent and opaque layers, some with dots and some without and I digitally played with the luminosity in different ways. It took a lot of experimenting to get something that felt just right. It ended up being about four or five layers in total.

This design was intended to be a zipper bag, so I created the design to scale and not as a repeating pattern, which is more typical for fabric designs. It is printed on eco-canvas, which is made from 45% recycled polyester. The finished bag is about 5×8″, which is just the right size for your favorite pencils and art supplies.

Red Yellow Blue.


This is the first in a series of posts about the making of these Sunday & Seurat designs. I wanted to have the chance to talk a little more about the inspiration and process of making each one. They can be found for sale at the Guthrie Theater Store and you can see the whole collection in this virtual gallery.

Make art with me: March 2

Thursday March 2 • 6-8 pm • free admission
Hennepin History Museum

I will be in the gallery talking about my work, answering questions and teaching YOU how to make awesome origami dresses like these from the exhibition. It is really fun to do and I have printed patterned wrapping paper so that every one can be different.

I was talking to someone recently about origami as a theme in my work. I never start out saying I am going to have something that’s origami, but it always shows up. Origami is a Japanese art form of folding paper. The designs are made without cutting or tearing the paper and almost always start off as a perfect square. When I was a kid, my dad had an origami book. It has been his since *he* was a little kid; a gift from a very favorite great uncle. Uncle Lester was a magician who specialized in paper tricks. I have written about him before. We were only allowed to look at the origami book with supervision, but my dad would sit with us for hours and help us figure out animals and flowers. There is one design from the book that I have had memorized since I was a kid. I remember folding it in elementary school from pieces of lined paper; it’s an unusual one that starts with a rectangle. My original engagement ring was an origami butterfly ring. I found the book it came from and tracked down an out-of-print copy for my husband for our 20th anniversary. I think origami was one of the first art forms I really connected with and said “I love this”. (In contrast, I hate painting. I really don’t enjoy it at all. It took a long time for me to embrace that. It’s ok to be an artist and hate painting.) So I hope you can come and learn to fold something. Maybe it will click with you too.

Take a tour of my Unexpected Art Exhibition

I know that not everyone can make it to Minneapolis to see this exhibition, so I am bringing it to you virtually. I walked through the gallery and took photos of all of the pieces and didactics, so you can walk with me and follow along. For those that are local, you can see the show in person at Hennepin History Museum through April 30.

It takes 6 hours.

This video is about 2 1/2 hours condensed down into 34 seconds. That’s me installing just one of the pieces for my first solo exhibition, which opened on Thursday last week. I thought it would be fun to try and capture a little about what installation is like because I don’t think artists often talk about that part. I filmed this on my iPad, which was set up on a windowsill across the room.

The piece is called Well Dressed and there are 144 origami dresses hung on tiny clothespins from bakers twine.

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I had sorted them ahead of time by style. If you look closely at the photo, there are about 7 different dress styles and I wanted to make sure they were fairly evenly distributed among the “laundry lines”. I chose colors and patterns to be next to one another as I went along. The patterns on each dress were created by students in the workshops I did as part of this grant project. I printed their designs on wrapping paper in 6 inch squares. Then I did a lot of practice folding. I searched for origami dress tutorials on YouTube and Pinterest and because my paper was much thicker than traditional origami paper, I needed to fold and tweak the designs to work with the heavy paper.

I installed this piece first because I knew it would take the most time. Actually after I finished the time lapse video, I went back and added one more laundry line row so I could spread out the dresses a little more because I felt like they were too crowded.

In addition to this wall, there were 8 other pieces, a section of photos and “the making of” original art, plus 2 interactive sections. The rest of those were relatively fast to install.

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bikini

Most of my dress forms have to be creatively padded to make things fit just right. I always make pieces that fit me, but I am not as tiny as the dress forms are. Quilt batting, bubble wrap and pins are my friend. I forgot to take a photo of the “before”, but this lady is wearing two layers of quilt batting and a bra with some extra padding so she looks like this dress fits her. The arms on these dress forms help a lot to make things hang right.

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You can see from the photos that the gallery I installed everything in is an old house. I thought formal gallery labels would look kind of out of place in that kind of a setting, so I made all of my labels look like framed pieces and used vector drawings of big ornate frames to put them in. I printed those on peel and stick wallpaper and cut out the outside edge of the frame before I hung them up.

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144 paper dresses, 288 clothespins, 84 feet of string, 3 dozen velcro hangers, 8 dress forms, 12 trips up and down 2 flights of stairs, 14 feet of wallpaper, 20 yards of fabric, 6 hours to install.

 

Lots of work.

Argh. It’s great to be busy. I haven’t been able to post as much here as I want to lately. I have all kinds of things planned, but the things with deadlines have been taking the top of the priority list. In the meantime, here’s a little look at one of those things. I got a grant from the MN State Arts Board this year to do an exhibition and series of workshops. With grant funds I was able to purchase a mobile computer lab (aka 6 Chromebooks) so I can teach classes and do activities with people who don’t have laptops. This is awesome. I have started the workshops for the project and I made this video about the recent sessions at the Museum of Russian Art.