17 November, 2015

Adventure, 8×8 inches

2015-11-17T12:45:25-06:00Gallery Exhibitions|1 Comment

adventure

Adventure

digitally printed polyester with hand beading

8×8 inches

This piece was my donation to a fundraiser held at the art center in the town where I grew up.  The event is called The Goods and it is a silent auction for 8×8 inch pieces of original art.  The twist is that all of the art is anonymous until the evening of the event.  So I had to wait until after the event to show you this piece.  I make wall pieces very rarely, but I do like this 8×8 inch format.  This was actually a test print for one of the pieces that was in my Jerome grant show this fall.  It is a photograph of a paper origami butterfly.  That is layered over a collage of text from newspaper and the pages of a “Choose your own Adventure Book” from the thrift store.  This image was digitally printed on fabric.  Then I stitched 4 wavy lines of clear sequins to represent the path that this butterfly is flying, so it shimmers from certain angles.

5 October, 2015

Thank you!

2015-10-05T07:51:55-05:00Gallery Exhibitions, Spoonflower & Fabric Design|Comments Off on Thank you!

partycollage

It was a great party.  Thank you to all of you who came, who listened to me talk about it, and who sent me notes wishing you could come.  I am truly delighted to be a part of this great community.

15 September, 2015

“Bonus Becka”

2015-09-15T17:56:26-05:00An Artist's Life, Gallery Exhibitions|3 Comments

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My blog software shows me all kinds of statistics about how many people visit the site each day (hi everybody!) and what pages you are looking at.  One of my favorite things is to see the search terms that got you here.  I know a lot of you look for sewing machine reviews.  (Glad I posted those.) You are often looking for weaving advice.  (I am not very helpful with that, sorry.)  My favorite one today was the search “bonus Becka”.  I am not sure what you were looking for with that search but I am glad it brought you here and it made me smile.  I will see if I can provide some bonus Becka.

It has been a hard week.  Not a feel-sorry-for-me-because-my-life-is-so-rough week, but it was the week after a huge week of important projects wrapping up.  And I won’t pretend that isn’t a big let down. Let’s be real. That’s part of being an artist of any kind. I remember doing theater all through college and the week after a show everyone got sick.  You spend the whole time leading up to the show running on caffeine and adrenaline and then when it’s over, you feel like you’ve been hit by a truck.  I am happy with how everything turned out with my exhibition, I’m pretty proud of my work and I love the response the book is getting so far, so please don’t think I am not appreciative!  But this week I am regrouping and resting and letting everything do its thing without me a for a few days. Because I can.

The question I have been asked a lot lately is “what’s next?”  The answer is, I don’t know.  I am not too worried about that because that’s part of my plan.  It’s been just over a year since I left my full time job as an arts admin and I said, when I did that, I was going to take some time to explore and try things.  In the last year, I have done 4 new-to-me art shows in a variety of venues both large and small.  I have applied for several exhibitions (I didn’t get in.)  I won a Jerome grant.  I didn’t get a state arts board grant.  I finished the book and it felt surreal to finally have it in my hands.  I have applied for some awesome teaching gigs; one I’ve got (ARROWMONT!) and several I am waiting on.  I am waiting to hear about 2 other grant applications.  (There’s lots of waiting going on right now.)  I got a grant to do a school residency in November.  (I am great at teaching kids, but is that even my “thing” anymore?  I don’t know.)  There’s a whole list of things that I didn’t get done in this year that I thought for sure I would have time for. I said no to a few things and yes to some things I probably shouldn’t have.   I also had things fall through or experiences that just did not live up to my expectations at all. (And that’s really hard for me because I set a very high standard for myself and I assume others to do the same.)  I have learned a lot about myself and the ways I do my best work.  All-in-all, I had a fantastic year, I got to do some amazing things and I LOVE being my own boss.

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Some bonus Becka?  I can show off one other piece of unofficial art.  This is the dress I made to wear to the opening reception for my show.  The pattern is Davie by Sewaholic (with a tiny modification that I added the “knot” at the keyhole neckline.)  I screwed it up with a rookie mistake (seam allowance!), although it ends up that I fixed it just fine. (Don’t ask why I am catawampus or being silly posing like one of my dress forms.)

sunset

 

This design was made using these 3 photos.  The sunset (thanks Mom!) is the background, adding a beautiful gradient and those peachy colors.  The butterfly is cut out and transparently layered many many times over that at very large scale.  Then I put it at actual size on the shoulder, as if it was a pair of butterfly brooches.  They each have a few translucent sequins stitched on them for a tiny sparkle.  Finally the last layer is a greyscale version of that asphalt, just to add an organic bubbly texture to the whole thing.  I very carefully laid this out like a border print to be able cut the dress and have the print exactly how I wanted it.

Screen Shot 2015-09-15 at 5.48.43 PMThis one doesn’t have a title yet.  Got any great suggestions?  I would love to hear them.

 

26 August, 2015

Jerome Grant Projects: Duet #2

2015-08-26T16:41:27-05:00An Artist's Life, Everything Else, Gallery Exhibitions|Comments Off on Jerome Grant Projects: Duet #2

My second project for my Jerome Grant is all about the story.  My partner Dawn and I have been friends since the 7th grade.  Dawn is now a professor, teaching art at a community college.  She isn’t a digital or fabric person at all; she gravitates towards printmaking and book arts.  I thought it would be fun to go “offline” with Dawn and write a series of postcards to one another.  I bought several packages of blank cards and a bunch of stamps and we mailed our conversation back and forth with one side of the card for words and one side for a sketch of something. She block printed, I water colored with tea and we talked about art.  Why do I hate working with the color red?  Do you have a “go to” doodle that you always draw when you don’t know what to draw?

Dawn really inspired me to do something hands on and get away from the computer a little bit.  So I started a series of designs based on cut paper collages made from found paper and junk mail.  I now have about 6 designs based on that idea and I am really loving that whole set of work.  We talked a little at the beginning of the project about making a garment that told a story. Could a dress be a book?

dots 2

 

This design is the base I started from.  Two sizes of circle punches and a stack of catalogs and envelopes.  I made 4 like this that became the final fabric design.  They alternate between bright colors with no text and grey/black/white with text on them.  I wanted to incorporate text into the design to refer to that book idea, but I didn’t want it to be a literal story that you would read.  So I used text as a design element throughout.

What kind of a story would a dress tell you?  It would have to be a “choose your own adventure”, where something you would do would be like turning the pages of the story.  So I created a text design from a torn up choose your own adventure book from the thrift store.  More text, but used in a textural way.  That is what makes the texture on the hem of the dress, which is shown here.  This is a screenshot of the actual dress panels as I was working on them.

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The origami butterflies came next.  I had made some fabric butterflies as a way of using up some pretty scraps for a show early in the spring.  And I loved that this design was evolving entirely from paper, so I made two kinds of butterflies.  These above were folded from origami paper and photographed to be layered into the design. And then I made 3-D fabric origami butterflies that embellish the dress.  (I have an affinity for origami butterflies.  My engagement ring was an origami butterfly folded from shiny silver paper.)

Finally I wanted to get our postcards incorporated into the design, so I scanned the text from several and created a final text design that is our handwriting with a color gradient over top.

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This design was printed on 2 yards of silk crepe to make a “scarf”.

Where does the “choose your own adventure” come in?  The dress is designed to be rearranged by the wearer.  Like a magnetic nametag, the fabric butterflies have neodymium magnets stitched to the back and another stitched to a felt backing.  The magnets let you put butterflies anywhere you like.  Up over the shoulder, all along the hem.  They also hold the scarf piece in place, so you can add a cowl back or an extra strap or a hood or a piece draped grecian style.

This one is called “Choose Your Own Adventure”.  (And I will post finished photos also after the show has opened.)

24 August, 2015

Jerome Grant: Duets Part One

2015-08-24T10:34:01-05:00An Artist's Life, Gallery Exhibitions, Spoonflower & Fabric Design|Comments Off on Jerome Grant: Duets Part One

The three projects for my Jerome Grant exhibition are all duets with other artists.  I chose three people as partners who I thought had something to teach me about art and design.  The original idea was to work on things digitally and have the focus be about the ways we all use digital design tools, but as we started to talk, each duet turned into something a little different.  The first partner I worked with was my dear friend Donna Kallner.  Donna is the fiber artist of the three and although her particular passions are ancient art forms, she is one of the most self-taught “techhie” artists I know.

Donna was featured in the Spring 2015 of the publication from the National Basketry Organization.

Donna was featured in the Spring 2015 of the publication from the National Basketry Organization.

Donna and I decided to play a game called “Photoshop Tennis”.  The idea is that you pass a digital image back and forth and each make an edit.  I do something and lob it back to her and vice versa.  We gave ourselves a pool of images to work from with a shared DropBox folder.  We set down some ground rules (choose at least 2 photos to combine) and a general aesthetic (organic, earth tones.)  We had wet dogs, fungus, brick, bittersweet, weathered tables and agates among the images in that folder.

originalsq

 

We had several versions of designs going, but this set of photos ended up being the final fabrics.  A brick wall, a snowy cornfield, frost on a window and a line drawing that I scanned.  These were layered with different opacity, repeated, mirrored, inverted.  We did a lot to them, but I think they still read in the final fabrics amazingly well.

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I love that we created a geometric print from an organic shape.  That is one of my favorite parts of this design. I can’t tell you who did what because it evolved very organically. I was completely skeptical at first because I had never created a design from a large landscape image.  My photo choices tend towards close up macro shots, at the other end of the spectrum.  One of the “new” ideas I think I learned was the use of repeating layers.  The brick pattern was layered several times by itself and rotated – transforming the brick into a more irregular cross-hatch pattern, which is a fantastic texture. We left our files “in progress” when we passed them back and forth, so I could dig right into the layers and see how everything fit together. I think we get into habits as designers of going to your “go to” tools and this was a really interesting exploration for me to dig into Donna’s work and say “what did she do there”.  It was a way for me to watch her work and see a new process.

The ensemble that these fabrics go in to is two major pieces: a sheath dress made from the blue brick print and a coat made from the geometrics.  Both pieces have the frost image layered on top in very specific places.  It makes a “collar” on the dress and is layered at the hem and cuffs of the coat at very large scale.  The hand-drawn print is the coat lining.  The dress and coat are made from cotton sateen, the coat lining is satin.  (The coat is interlined with a heavy cotton twill to give it some weight and structure.)  Both pieces are based on 1950’s vintage patterns.

I have titled it “You Can Take the Girl Out of the Country”.  I do know that I am taunting you, but I won’t show the finished pieces until after the show has opened.  Hopefully you can use your imagination a little bit until then.

20 August, 2015

Jerome Fiber Artist Project Grants: You are invited!

2015-08-20T10:48:30-05:00An Artist's Life, Gallery Exhibitions|Comments Off on Jerome Fiber Artist Project Grants: You are invited!

On Thursday September 3 from 6-8 pm is the opening reception for “You Know Who You Are”, the final exhibition for the 2014/15 recipients of the Jerome Foundation Fiber Artist Project Grants.

I was one of this year’s grantees and I have been working on my project since January.  The program is designed so that you apply with a project plan.  Your project should be something that will help you take the next step in your artistic career, and you get to determine what that is.  I decided that my major goal was to have an exhibition of a small collection of my work. (That is a standard part of the program.)

The way I would create the new work would be through a series of conversations with three other artists.  In each conversation, my goal was to learn a new way of thinking about something, especially new ways of designing digitally. There are very few resources to learn digital design skills, especially if you are beyond the beginner “Photoshop 101” stage, so I chose a model of learning from my peers about the way they approach design.  I will post more about these conversations and the pieces that I created as “duets” with my partners in these next days leading up to the exhibition opening.

I would love to see you at the exhibition if you are in the area.

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