I was invited to show three pieces in an exhibition called Fiber Art in the Digital Age at the WI Museum of Quilts and Fiber Arts. The theme of the show is fiber art that incorporates innovations of the “digital age”. I created three pieces that include digitally printed fabrics and laser cut wood and acrylic. This is the first in a series of posts talking about those pieces.
Sometimes a comment about your work sticks with you for years. One of the first digitally printed fabric garments I made was a dress that I wore to an art gallery opening. Two visitors came up to me and struck up a conversation about the dress, asking if the fabric was made using batik. When I explained with excitement that it was actually digitally printed photographs of ice, they looked at me and said “Digitally printed? That’s cheating!”
I have discovered that the relationship between fiber art and computers is often misunderstood. There is an assumption that if you use a computer, that it does all of the work; you just press a key and Photoshop magically creates art. Because I used a computer to create part of my piece these commenters, and several others throughout the years, decided that it wasn’t real art.
So, I decided to make Faking It a celebration of “fake” art made by computers. I started by creating imitation mosaics from recycled magazine paper with images of computers and technology: an iPhone, charging cables and even a vintage floppy disk signed with my initials. I surrounded the mosaic tiles with a border of ransom note style words that all are synonyms for fake: false, swindle, hoax, hokum, spoof, flim flam, bogus and so on. The background is made from tiny strips of paint chips in colors titled […]
We saw it. It took signing up for a waiting list, winning a spot in a lottery, clicking through at just the right time and a whole lot of luck, but we scored tickets and saw Hamilton on Tuesday night.
I’ve been trying to stay away from knowing too much about the show because I wanted to experience it for the first time right there. I must be one of the only people on the planet who does not have the music memorized. I don’t even own the cast album. And I was a theater major and president of my high school Drama Club, so this was hard for me. But I know how amazing it is to see something live, with a room full of people who are excited to be there. I wanted that experience.
Hamilton is breathtaking. And I mean that in many ways. The first act literally never takes a breath. There are no scene changes to wait for, no transitions, no scenes full of dialog where you can sit back and relax. There is music and choreography and visual tableaus to take in from the very second the show starts until you feel like you can exhale at intermission. I have never seen a show that grabs you like this and doesn’t let you go. I will argue that Wicked has the very greatest act one closer ever, but Hamilton leaves you with a similar kind of rush.
Thinking about it, I am a little surprised that Hamilton is as popular as it is, honestly. It is an odd show. Maybe that’s what does it. It is more like an opera than a musical. There are about five minutes of the whole show that are spoken dialogue. Everything else is in song. And fast, complex, unhummable songs with […]
I’ve had several students ask me this week: “How can I combine a bunch of different things together and print them all on a yard of fabric at Spoonflower? Do I use Fill-A-Yard?”
I wanted to help by walking you through how to combine photos or art from a group of friends into one fat quarter or yard of fabric, so you can print many things all at once. This is a very fast and informal overview about how you do it in Photoshop (starring some barking dogs in the background). I am a big fan of “Done is Better than Perfect” and I wanted to get this posted and not worry about it being polished. So think of it like a live video chat where I am just talking you through the process. (It’s about 25 minutes long, so you know that going in. You can pause and come back if you need to.) Click the arrows icon (next to the Vimeo logo) to see it bigger so you can read the menus on my screen.
You will see:
- creating a canvas that is exactly the size of a fat quarter or yard
- adding photos or art to the canvas using “place embedded”
- using save as and uploading to Spoonflower
- uploading a revision
- when you need to rotate your canvas so it prints correctly and the easy way to do that
- how to resize a photo you have placed and what to do if it looks blurry or pixellated
Here’s a link to the tea towel I used as an example if you would like to see it up close.
I will be at the brand new Bell Museum this weekend as an artist-in-residence in their #SolutionStudio Lab. The exhibit in this space talks about how sometimes the things you need to do your work aren’t things found in stores and how artists and scientists have to sometimes make the tools that they need. I am going to talk about how I use recycled paper all the time when I make my work and then we will be making containers from recycled papers: pieces of origami art that you can use to hold things like art materials or your rock collection. I will even show you how to make a paper cup that holds water. My sister and I used to make these all the time and thought it was super fun to drink out of them. Saturday & Sunday August 4&5, 1-4 pm.
Hope to see you there!
A couple of years ago I joined an art organization and went to a monthly meeting with about 20 people. I was excited to be part of a group and to talk about art related things. On the agenda for the meeting was to have a discussion and show-and-tell about our sketchbooks. It sounded like it could be interesting hearing about other people’s process (and it was) but I don’t keep a sketchbook. That’s not a part of my process; I’m not a sketcher. So we went around the room and people talked about how they organize ideas for pieces or make lists of tasks to do. Some made more journal type books with beautiful complex works of art on each page. Some used theirs as a mood board or inspiration source where they created a collage for pieces they were thinking about. All cool ideas and interesting to hear them talk about each version. But when my turn came around the circle, I didn’t have anything to show and it was at that point where, unfortunately, I stopped enjoying the meeting.
I do sketch things. Like that little dog up above. I printed out the circle on a piece of card stock and made a sketch and then I scanned it and used it as a guide to draw the version on the right in Illustrator. I am a lot looser when I draw things on paper, so I often do a little rough sketch of characters especially and use that to help me with proportions and placement when I get into the computer. It’s a process that works well for me. But this little sketch is probably going right into the recycle bin. I don’t usually hang on to them after […]
A quick video tutorial of how to use Spoonflower’s Fill-A-Yard feature. Thanks to a student from my online class for the question.
If you need a little more help working with collections, be sure to check out my online classes. I go through collections in the Spoonflower Step One class.